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Mead Allison: ”I’m more interested in the product than the process”
Calotype photographer, Professor and Chair of the Department of River-Coastal Science and Engineering at Tulane University in New Orleans, Mead Allison is telling about making calotypes in the time he manages to spare…
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The process of making
Brittonie Fletcher shares with The Calotype Society XXI her story about the calotype she made and how important the process of making is.
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Leaving the trace for eternity
Nicolas Le Guern, calotypist and historian of photographic technology is telling toThe Calotype Society XXI the story about the calotype he made in Cairo.
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Nicolas Le Guern: “Calotypying is a reflexion about the exposure time in photography”
Historian of photographic technology, photographer Nicolas Le Guern is telling to The Calotype Society why for him doing calotypes is like breathing.
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Failed calotype
Photographer Claudio Santambrogio is telling the story about the calotype of Lacock Abbey damaged because of contamination.
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Treasuring time
In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.
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Brittonie Fletcher: “I enjoy the making of historic photography”
Artist and photography tutor in the Stills Centre for Photography (Edinburgh Scotland) Brittonie Fletcher tells how making calotypes is helping her to learn more about processes and time.
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Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”
Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.
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Wlodek Witek: “The subjects for my photography now are more about the outdoors”
Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.
