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The Calotype Society XXI

Contemporary artists who are working with the XIX century calotype technics and its variant processes.

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Photographers

Tony Tidswell: “Le Gray inspired me for calotypes”

Photographer Tony Tidswell is telling The Calotype Society XXI why he started making calotypes after having experience with ambrotype, wet collodion, and other technics.

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Giugno 7, 2019
Photographers

Dan Estabrook: from punk-rock to historical photographic processes

Dan Estabrook is famous American artist, who is making photographs with historical techniques such as calotypes. The Calotype Society XXI is telling about his works.

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Marzo 22, 2019
Photographers

Richard Lanning: “The calotype has been a healing process for me”

Retired Police officer Richard Lanning became a calotype photographer in 2010 when he found a book about Fox Talbot. Calotypes of Talbot inspired him so much that he decided to…

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Novembre 12, 2019
  • Photographers

    Mead Allison: ”I’m more interested in the product than the process”

    calotypesociety / Settembre 25, 2019

    Calotype photographer, Professor and Chair of the Department of River-Coastal Science and Engineering at Tulane University in New Orleans, Mead Allison is telling about making calotypes in the time he manages to spare…

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  • Darkroom stories

    The process of making

    calotypesociety / Giugno 29, 2019

    Brittonie Fletcher shares with The Calotype Society XXI her story about the calotype she made and how important the process of making is.

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  • Darkroom stories

    Leaving the trace for eternity

    calotypesociety / Giugno 25, 2019

    Nicolas Le Guern, calotypist and historian of photographic technology is telling toThe Calotype Society XXI the story about the calotype he made in Cairo.

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  • Photographers

    Nicolas Le Guern: “Calotypying is a reflexion about the exposure time in photography”

    calotypesociety / Giugno 18, 2019

    Historian of photographic technology, photographer Nicolas Le Guern is telling to The Calotype Society why for him doing calotypes is like breathing.

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  • Photographers

    Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”

    calotypesociety / Giugno 16, 2019

    Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.

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  • Darkroom stories

    Failed calotype

    calotypesociety / Giugno 14, 2019

    Photographer Claudio Santambrogio is telling the story about the calotype of Lacock Abbey damaged because of contamination.

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  • Darkroom stories

    Treasuring time

    calotypesociety / Giugno 14, 2019

    In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.

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  • Photographers

    Brittonie Fletcher: “I enjoy the making of historic photography”

    calotypesociety / Giugno 14, 2019

    Artist and photography tutor in the Stills Centre for Photography (Edinburgh Scotland) Brittonie Fletcher tells how making calotypes is helping her to learn more about processes and time.

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  • Photographers

    Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”

    calotypesociety / Giugno 9, 2019

    Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.

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  • Photographers

    Wlodek Witek: “The subjects for my photography now are more about the outdoors”

    calotypesociety / Giugno 9, 2019

    Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.

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