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Arrested for decent exposure in Mozambique
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI how he was arrested while calotyping.
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Following the path of the most mysterious photograph of New Orleans
Calotype photographer Mead Allison is telling the story about one of his calotypes he made at the Saint Louis Cemetery.
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”
Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.
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Wlodek Witek: “The subjects for my photography now are more about the outdoors”
Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.
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Tony Tidswell: “Le Gray inspired me for calotypes”
Photographer Tony Tidswell is telling The Calotype Society XXI why he started making calotypes after having experience with ambrotype, wet collodion, and other technics.
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Roger Watson: “Artists are creating sort of a memory frozen in time”
The Curator of the Fox Talbot Museum Roger Watson is explaining why calotype technique today is in fashion.
