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Giorgio Bordin: “A calotype negative can display more than the final print”
The physician, watercolor painter, engraver and writer Giorgrio Bordin is also a member of The Calotype Society. After experimenting with digital photography he came to the sources of photography to understand the evolution of…
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In My Garden
Brenton Hamilton, MFA is a photographic print maker with a concentration in alternative processes. Relying upon cameraless, experimental techniques with an emphasis upon gum bichromate, calotype and palladium. The artist is telling to…
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Brenton Hamilton: “The calotype is a pursuit of beauty”
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process. Visual artist, historian, antiquarian, foil fencer Brenton Hamilton is telling to The Calotype Society about…
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Failed calotype
Photographer Claudio Santambrogio is telling the story about the calotype of Lacock Abbey damaged because of contamination.
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Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”
Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.
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Tony Tidswell: “Le Gray inspired me for calotypes”
Photographer Tony Tidswell is telling The Calotype Society XXI why he started making calotypes after having experience with ambrotype, wet collodion, and other technics.
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Dan Estabrook: from punk-rock to historical photographic processes
Dan Estabrook is famous American artist, who is making photographs with historical techniques such as calotypes. The Calotype Society XXI is telling about his works.
