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Arrested for decent exposure in Mozambique
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI how he was arrested while calotyping.
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Brenton Hamilton: “The calotype is a pursuit of beauty”
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process. Visual artist, historian, antiquarian, foil fencer Brenton Hamilton is telling to The Calotype Society about…
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Mead Allison: ”I’m more interested in the product than the process”
Calotype photographer, Professor and Chair of the Department of River-Coastal Science and Engineering at Tulane University in New Orleans, Mead Allison is telling about making calotypes in the time he manages to spare…
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The process of making
Brittonie Fletcher shares with The Calotype Society XXI her story about the calotype she made and how important the process of making is.
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Wlodek Witek: “The subjects for my photography now are more about the outdoors”
Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.
