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Claudio Santambrogio: “Making calotypes is a very simple process”
Claudio Santambrogio is telling to The Calotype Society about his experience in making calotypes and explaining how working in the darkroom is growing patience.
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Following the path of the most mysterious photograph of New Orleans
Calotype photographer Mead Allison is telling the story about one of his calotypes he made at the Saint Louis Cemetery.
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Mead Allison: ”I’m more interested in the product than the process”
Calotype photographer, Professor and Chair of the Department of River-Coastal Science and Engineering at Tulane University in New Orleans, Mead Allison is telling about making calotypes in the time he manages to spare…
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Treasuring time
In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.
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Wlodek Witek: “The subjects for my photography now are more about the outdoors”
Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.
