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Giorgio Bordin: “A calotype negative can display more than the final print”
The physician, watercolor painter, engraver and writer Giorgrio Bordin is also a member of The Calotype Society. After experimenting with digital photography he came to the sources of photography to understand the evolution of…
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Arrested for decent exposure in Mozambique
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI how he was arrested while calotyping.
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Brenton Hamilton: “The calotype is a pursuit of beauty”
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process. Visual artist, historian, antiquarian, foil fencer Brenton Hamilton is telling to The Calotype Society about…
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The Calotype Society met in Milan
Every two years The Calotype Society meets in a place connected to the history of the calotype. This year, the CALO IV meeting has been held in Milan, Italy, from June 27th to…
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Following the path of the most mysterious photograph of New Orleans
Calotype photographer Mead Allison is telling the story about one of his calotypes he made at the Saint Louis Cemetery.
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Asia Weber: “Making calotypes is like getting into a time machine”
An art historian Asia Weber is photographing Italian architecture and telling to The Calotype Society how calotypes changed her life.
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Mead Allison: ”I’m more interested in the product than the process”
Calotype photographer, Professor and Chair of the Department of River-Coastal Science and Engineering at Tulane University in New Orleans, Mead Allison is telling about making calotypes in the time he manages to spare…
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The process of making
Brittonie Fletcher shares with The Calotype Society XXI her story about the calotype she made and how important the process of making is.
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Leaving the trace for eternity
Nicolas Le Guern, calotypist and historian of photographic technology is telling toThe Calotype Society XXI the story about the calotype he made in Cairo.
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Nicolas Le Guern: “Calotypying is a reflexion about the exposure time in photography”
Historian of photographic technology, photographer Nicolas Le Guern is telling to The Calotype Society why for him doing calotypes is like breathing.
