-
Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
-
Failed calotype
Photographer Claudio Santambrogio is telling the story about the calotype of Lacock Abbey damaged because of contamination.
-
Treasuring time
In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.
-
Brittonie Fletcher: “I enjoy the making of historic photography”
Artist and photography tutor in the Stills Centre for Photography (Edinburgh Scotland) Brittonie Fletcher tells how making calotypes is helping her to learn more about processes and time.
-
Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”
Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.
-
Tony Tidswell: “Le Gray inspired me for calotypes”
Photographer Tony Tidswell is telling The Calotype Society XXI why he started making calotypes after having experience with ambrotype, wet collodion, and other technics.
-
Roger Watson: “Artists are creating sort of a memory frozen in time”
The Curator of the Fox Talbot Museum Roger Watson is explaining why calotype technique today is in fashion.
-
Dan Estabrook: from punk-rock to historical photographic processes
Dan Estabrook is famous American artist, who is making photographs with historical techniques such as calotypes. The Calotype Society XXI is telling about his works.