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Giorgio Bordin: “A calotype negative can display more than the final print”
The physician, watercolor painter, engraver and writer Giorgrio Bordin is also a member of The Calotype Society. After experimenting with digital photography he came to the sources of photography to understand the evolution of…
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Arrested for decent exposure in Mozambique
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI how he was arrested while calotyping.
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Brenton Hamilton: “The calotype is a pursuit of beauty”
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process. Visual artist, historian, antiquarian, foil fencer Brenton Hamilton is telling to The Calotype Society about…
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The Calotype Society met in Milan
Every two years The Calotype Society meets in a place connected to the history of the calotype. This year, the CALO IV meeting has been held in Milan, Italy, from June 27th to…
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Asia Weber: “Making calotypes is like getting into a time machine”
An art historian Asia Weber is photographing Italian architecture and telling to The Calotype Society how calotypes changed her life.
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The process of making
Brittonie Fletcher shares with The Calotype Society XXI her story about the calotype she made and how important the process of making is.
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Leaving the trace for eternity
Nicolas Le Guern, calotypist and historian of photographic technology is telling toThe Calotype Society XXI the story about the calotype he made in Cairo.
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Failed calotype
Photographer Claudio Santambrogio is telling the story about the calotype of Lacock Abbey damaged because of contamination.
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Treasuring time
In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.
