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Giorgio Bordin: “A calotype negative can display more than the final print”
The physician, watercolor painter, engraver and writer Giorgrio Bordin is also a member of The Calotype Society. After experimenting with digital photography he came to the sources of photography to understand the evolution of…
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Arrested for decent exposure in Mozambique
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI how he was arrested while calotyping.
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Brenton Hamilton: “The calotype is a pursuit of beauty”
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process. Visual artist, historian, antiquarian, foil fencer Brenton Hamilton is telling to The Calotype Society about…
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Fionnbharr Ó Súilleabháin: “Part of the attraction of calotypy is that it forces patience upon you”
Analog photographer Fionnbharr Ó Súilleabháin is telling to The Calotype Society XXI about an important feature of calotype and reveals photos of his new project of Mozambican mosques.
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Treasuring time
In the calotype story of Wlodek Witek unexpected boys are becoming the part of a landscape.
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Laura Hartford: “Photography has changed the world and revolutionized how we think and behave”
Laura Hartford, the Associate Dean of Arts and Sciences and Associate Professor of Art at Bellarmine University in Louisville, is telling to The Calotype Society XXI about photography and making calotypes.
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Wlodek Witek: “The subjects for my photography now are more about the outdoors”
Wlodek Witek, paper and photo conservator at the National Library of Norway, is explaining to The Calotype Society XXI why making photographs with the calotype technique is such an exciting activity.
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Tony Tidswell: “Le Gray inspired me for calotypes”
Photographer Tony Tidswell is telling The Calotype Society XXI why he started making calotypes after having experience with ambrotype, wet collodion, and other technics.
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Roger Watson: “Artists are creating sort of a memory frozen in time”
The Curator of the Fox Talbot Museum Roger Watson is explaining why calotype technique today is in fashion.
